Freud’s
Ambivalence: what we think conscience is, it isn’t, what it isn’t, it is. Self-hate, then, is it self-love?
James
R. Fisher, Jr., Ph.D.
March
17, 2015 (St. Patrick’s Day)
As
a boy, Freud was an avid reader. He taught
himself Spanish so that he could read Cervantes’ “Don Quixote” in its original Castilian. We early readers are influenced all our lives
with what we read when young. Freud is
no exception.
Years
later, Freud would write, in describing the “ego” and the “id”:
“Between
the persons’ conscious sense of themselves, and their more unconscious desires (“Don Quixote” as metaphor), the horse supplies the locomotive energy,
while the rider has the privilege of deciding on the goal, and of guiding the
powerful animal’s movement. But only too
often there arises between the ego and the id the not precisely ideal situation
of the rider being obliged to guide the horse along the path by which it itself
wants to go.”
The
“ego” is the deluded fantastical mad knight of “Don Quixote” who, like all
realists, is utterly plausible to himself, while operating out of his
tree. Meanwhile, the horse (“Rosinante)”
is at once a parody of, and an expose, of the horse as elemental force. And where does the horse go? It goes home to desire. The “id ” is the horse, while the “super ego,”
sometimes down to earth, sometimes relevant, sometimes gullible is “Pancho Panza,”
there but not there, holding the reins of the horse, but not in control.
Not
to belabor the point, but Freud often used metaphor from his early reading such
as the “Oedipus Complex” and “Electra Complex” compliments of Greek tragedy.
Krishnamurti
once put it plainly, “Freud’s anxiety and guilt became adopted by the world as
its own.” I use this a preface to what
follows.
* *
*
French
psychiatrist Jacques Lacan observes, “It is ironic that Jesus Christ preached love
thy neighbor as thyself because of course people hate themselves.” The way people treat one another – in many
cases with a good deal of cruelty – would suggest they, indeed, love their
neighbors as they love themselves. Lacan
was implicitly comparing Christ with Freud.
Freud
treated the Jesus Story about love as a cover story or self-cure for
ambivalence: whatever we hate we love, whatever we love we hate. If someone can satisfy us, they frustrate us,
and if someone can frustrate us we believe they can satisfy us, while who
frustrates us more than ourselves?
Ambivalence
is the Freudian sense does not mean mixed feelings. It means opposing feelings. Contradictory attitudes are derive from a
common source and are interdependent whereas mixed feelings are based on a
realistic but imperfect assessment of love or hate or whatever.
With
ambivalence, you cannot have love without hate, or hate without love. They are interdependent. According to Freud, we are ambivalent to
everyone and everything that matters to us.
In fact, ambivalence is how we recognize that someone or something has
become significant to us. Stated another
way, we cannot help but be ambivalent about ambivalence.
We
are never as obedient as we would like to think we are. Where there is devotion, there is also buried
protest; where there is trust there is suspicion; where there is self-hatred
and guilt there is self-love.
Self-criticism
with which we are programmed to think as a good thing is not. Self-criticism can be our most sadomasochistic
way of loving ourselves.
We
are never as good as we should be, but neither are other people. We fain thinking others are smarter, more
able, more gifted, more advantaged than we are so we can retreat into
sadomasochistic self-idolatry.
The
self-critical part of us, the part that Freud calls the “super ego” is
remarkably narrow minded. It is
relentlessly repetitive, and cruelly self-intimidating. As
Lacan says, “We are stuck, a stuck record of the past, unimaginative about
morality and about ourselves.”
People
so inclined, and that may be the majority, think something terrible has
happened to them that they are living in the aftermath of a terrible fallout,
of some catastrophe, and because they think it, they would be right.
Freud
read a lot of Shakespeare as a youth as well as Cervantes, both 16th
century artists, when “conscience at the time didn’t only have our modern sense
of internal moral regulation, but also meant inward knowledge of consciousness.”
Then
(16th century) the language of morality was the language of religion
(Christianity). Even then ambivalence
was evident as religion divided the self from the hidden self, an unconscious morality
with no discernible cultural moorings.
Being
able to reflect on our conscience, being able to look at the voice of
conscience is a radical act. If not
obeyed, what is to be done with it?
Conscience
is driven by acculturated stimulation tempered by controls and inhibitions from
culture through the parents. Put another
way, the “super ego,” the “Morality Principle” is the domain of parents, but
not exclusively. It is also derived from
the influence of peers, priests, teachers, pundits, gurus, heroes, idols, and
sometimes, but not as frequently today, by God in the sanctuary of some
religion.
The
“super ego’s” primary role is there to protect us from ourselves by prohibiting
desires that may endanger us. There may
be other people we would like to find dead but murder endangers us and so we
murder ourselves in self-reproach and punish ourselves for having such murderous
thoughts.
Freud
sees conscience as a possible force to character assassination, the character
assassination of everyday life.
Erving
Goffman wrote about this rather definitively in “The Presentation of Self in Everyday Life.” He suggested that we mutilate and deform
our character because we judge ourselves too harshly. So unrelenting is this internal violence that
we have no idea what we would be like without it. “Meet
Your New Best Friend” was written to combat if not neutralize this
mindset. As a consequence, we know
practically nothing about ourselves, which makes us vulnerable to anyone bent
on exploiting this to their advantage.
Freud
endeavors to show us how conscience obscures self-knowledge. Back to ambivalence, he says guilt hides such
knowledge from us by exposing it. This
allows us to justify not standing up to the internal tyranny of the self. So frighten are we of the “super ego” that we
identify with it. We speak on its behalf
to avoid antagonizing it, which is a form of bullying.
Although
religious institutions would protest otherwise, they use this fault line in us
to their advantage.
Does
conscience make us cowards as Shakespeare says in Hamlet and Richard III? If it does, it is the part of ourselves that
humiliates. Then is it the part of us
that makes us ashamed of ourselves for what others may think of us, or what we
are or have done?
Conscience,
stated another way, can seduce us into betraying ourselves worrying more about
what others think of us than what we think of ourselves. If we do something that is bad, or even evil,
and get away with it, how do we escape the self that has full knowledge of the
deception? We can’t.
If
conscience makes cowards of us, it is because it is itself cowardly. Consider this.
The cowardly part of us is like a person who is afraid of new
experience. In our minds, the past may
be imperfect, the present ridiculous and the future perfect, but in reality we
treat the unknownness of the future as if it were in the past of something we
know, or another way of staying stuck.
Why
is it such a pleasure to be self-critical?
And how has it come about that we are so bewitched with our
self-hatred? Self-criticism when it is
helpful, Adam Phillips says in The London
Review (March 5, 2015), is self-correcting hypnosis. It is judgment as spell or curse. It is an order, not negotiation. It is dogma, not over interpretation. It is the “super ego” operating as supreme
narcissist. It is the acknowledged legacy
of a religious past, a past where parents were programmed to the narrow
confines of good and evil, right and wrong, the acceptable and unacceptable, as
prescribed arbitrarily by some religious or secular religious authority. What we know ourselves to be, as a result of
this conditioning, is a slave to the “super ego.”
Where
there is dogma, Freud insists, there is uncompleted experience. In another sense, he is saying that the “super
ego” is more than conscience. It is the “ego
ideal.” It is ambivalence to the wall as
the “ego ideal” finds the individual over interpreting his culture beginning in
the family, moving on to the church, schools, the workplace, and the nation.
This
nearly destroyed me as a young man when I took my “ego ideal” to South Africa
and was introduced to draconian apartheid, discovering the support system of my
“ego ideal” (all the above) had deserted me leaving me naked and confused, lost
and self-reproaching, staggering out of the assignment and retiring and only in
my thirties (see novel: A Green Island in
a Black Sea).
My
internal compass, the internal prohibiting father, who says, “Do as I say, not
as I do” was like a malign collective parent visiting irrevocable harm to my
fragile psyche under the guise of being my protector.
In
the name of all that is sacred, in the name of health and safety, it left me
exposed to a life of terror beyond my comprehension, self-estranged and
self-critical to the level of obsession.
In my anger at being abandoned by my “ego ideal” culture, I punished myself
as if I were the author of apartheid full of guilt and wrongdoing for brutal
travesty I was experiencing in South Africa.
Guilt is not a good clue as to what one values, but what one fears. Morality born of intimidation is
immoral. South Africa in 1968 was immoral.
Freud
gives us a conceptual vocabulary (“ambiguities) and constructs (ego, super ego,
id), which he with his writing skills shows how the “super ego” acts as censor,
judge, and dominating, frustrating father that carries a blueprint of the kind
of person we should be with the operating word “should.”
To
the end Freud never resolved his issues with ambiguity or with inner authority
and individual morality. Still, each of
these ego states appears to have multiple functions to show how we are slave,
the doll Adam Phillips says to our ventriloquist dummy, the object to the “super
ego’s” prescription. Phillips asks:
“What
is this appetite for confinement, for diminishment, for unrelenting,
unforgiving self-criticism?”
Freud’s
answer, we fear loss of love. But to
acquire love, there must be sacrifice that includes abandoning pride,
self-consciousness, self-regard, and the possibility of rejection or
humiliation.
No
surprise, we are likely to embrace confinement preferring safety to desire, and
security to experience. This comes at
considerable cost. It finds the
individual being seen and treated as an object, as a commodity, expendable,
replaceable. That then begs the question,
Who Put You in the Cage? (see Kindle
2015).
* *
*
Dr. Fisher, I am actually writing about a post you made in 2011 about basketball. Le Roy Watts (of the Clinton Firewagon Five) was my stepfather, and spoke little about his experiences in the sport. We learned a few things after he died, but would love to know if you have any specific recollections or more information to share.
ReplyDeleteI can be reached at lsreese@aol.com
Thanks,
Linda Reese