A QUESTION OF CONTROL!
James
R. Fisher, Jr., Ph.D.
©
May 1, 2015
“A
violent order is disorder, and a great disorder is an order. These two things
are one.”
—Wallace
Stevens. American modernist poet
REFERENCE:
This
is another excerpt from The Worker, Alone!
Going Against the Grain (revised, expanded and edited from its 1995
edition, due out in late summer 2015).
The
very process of control breeds disorder, just as certainly as a sensible
tolerance for unavoidable disorder leads to control. The more the obsession with control the
greater the chaos. Everyone is bound and shaped by control.
Most
workers attempt to control themselves — their tempers, desires, appetites —
because it is safe. There is security in control. Control generates a certain
sense of safety, a certain assurance that with control, they will not fail. But is this prudent behavior?
When
there is a need for control, chaos is always around the corner. Control
manifests a division between the controller and the thing controlled. Virtue
does not lie in such separation. This is so because control implies effort, the
demand for security, all in the name of what is good. But control is the very
denial of goodness, and is therefore disorder.
Does
a tree strive for control? Does the
universe exert effort to maintain ecological balance? The observer who separates himself from the
thing observed is the source of failure, not success.
A
mind which sees directly without the paralysis of analysis is a mind without
division. It is a whole mind, a sane mind, a mind one with itself. On the other
hand, a neurotic mind is a divided mind, a mind at war with itself, a mind
obsessed with control.
When
such a mind believes it has realized total control, the body cannot move. The
person is utterly in the grips of its mania, its neurotic need for control.
Such a person is not free, more likely paralyzed with fear, caged in his own
obsession.
We
see this in the artist who is involved in creative destruction. Thought is scrambled from “what is” to what
is perceived; integrity of the frame is then restored in one sense and
destroyed again in another. This is called “art.” The artist, whatever the endeavor,
is in the business of control, only that control is then euphemized to an
expression of culture.
Control
is the basic neurosis of the workplace. Management desires to control workers
to ensure that they are productive; that time is not wasted; that the
organization operates at maximum efficiency. But do these worthwhile desires
materialize? No, because the greater the intensity of management’s obsession
with control the greater the chaos.
The organization is an organism not unlike
the autonomic nervous system of the human body, more so now with its electronic
connective tissue, and is thwarted from its mission by arbitrary policies and
procedures that either deny or take away from this reality.
Control
is a function of order, and order is an integral function. Each worker and manager must embody order
through their own volition; their own action. Together, worker and manager are one
function. What they hold in common is productive work.
George
Orwell wrote “A Homage to Catalonia”
(1938) about his personal experience and observations in the Spanish Civil War of
the 1930s. Northeastern Spain, more particularly Catalonia, was in the midst of
the most far-reaching social revolution seen to that time in Western Europe.
Workers were running factories, peasants large estates, waiters restaurants,
trolley drivers complex transport systems, municipal workers sanitation
systems. It didn’t last as Fascist General Francisco Franco with the support of
Mussolini in Italy and Hitler in Germany prevailed, but it demonstrated, if
only in cameo, what people are capable of doing given the opportunity.
The
differentiation of managers from workers is an arbitrary one, a division which
causes chaos in the world of work. Because of the cultural inclination to
separate the controller from the controlled, the analyzer from the analyzed,
there is corruption, disorder, distrust, violence and much ruthless
manipulation in the workplace.
Consequently, the more hysterical the quest for
control the greater the workplace paralysis. This is willfully ignored throughout
the working world, because control is at war with freedom, when control and freedom
are but a single entity.
This
is not so with young minds. Such minds are not afraid to learn. They are not
yet deeply burdened with knowledge and experience. To learn means to observe
oneself without division, without analysis, without denial or the censor of
“what should be” and “what should not be.” There is no question of control.
There is only experience.
Cultural
conditioning is anathema to learning, the curse to seeing things clearly, to
seeing things as they are. What cultural conditioning promotes is the idea of
self-control in the individual, and the appearance of harmony in the workplace,
both bogus ideas. This conditioning is the reason there is such madness in society,
for the idea of control is the very embodiment of emotional rupture and
breakdown.
There
is no wisdom to self-control. Control is paradoxical. Those consumed with a need for control, lose
it; those not bothered with control, have it. What is more appropriate is self-organization,
self-order. Workers and managers worry far too much about changing or
controlling each other, or other things which disturb them. This is guaranteed
to create frustration and conflict, because the only thing workers and managers
can change or control is themselves. Order flows from this.
For
the past quarter century we have had a bombardment of ideas on how to manage
change. Actually, change in the workplace is of only secondary importance.
Change will come about naturally, over time, once workers and managers bring
about change in themselves. Order comes
from within. To establish order takes more than good intentions, more than
a change in attitude. Order requires a
radical change in mentality, a structural change in the way workers and managers
view the world. Such radicalism requires the individual going against the grain.
As
long as there is the analyzer, the supervisor, the director, the administrator
feverishly consumed with maintaining order, there will be the problem of chaos.
It is such censors who create the problems by failing to understand the
dynamics of control.
Unfortunately,
as matters now stand, from the moment of birth to the moment of death, workers
and managers seem consumed with the need for control of each other. The “must”
and “must not,” the “should” and “should not” are stenciled on their brains.
This
posed little problem when society was moving at a snail’s pace. No longer. The
world is exploding with people and burgeoning technology. Flexibility, not
rigidity; creativity, not conformity are now requirements. If anything, less
control is called for, thus establishing a climate for the controller and the
controlled to merge.
Control
has developed a bizarre aspect in this new era of 24/7 cable news programs with
journalists as simplifiers and codifiers of complex multi-dimensional conflicts
and perturbations across the globe, situations that defy understanding much
less explaining.
Yet,
these intrepid globe-trotting journalists, such as Thomas Friedman, for
instance, jet off to Egypt, Afghanistan, Pakistan, Iraq, and Syria, and a few
days later appear on PBS television’s Charlie
Rose program, and tell us exactly what’s wrong, and exactly what those in
power should be doing about it, and why they are not. By contrast, the
generation of scribes that came out of World War Two, such as Edward R. Murrow,
and William L. Shirer were more circumspect, aware of distortions having seen only
a corner of events, and therefore were much less inclined to come off as
pundits.
Control
implies conformity, imitation, following a particular principle, set of rules,
an ideal all the way to respectability. Respectability is a moral dimension
which better fits another place and another time. Morality is in the mind of
the time, and it changes, not because of some great evil conspiracy, but
because the requirements of the times demand it. Respectability cultivates a
reverence for “what should be,” not “what is,” or reality.
Therefore,
the very process of control breeds disorder. Disorder is brought about by the
censor, the analyzer, the do gooder, the “true believer,” the pundit, the one
who tries to impose what he thinks is right, instead of qualifying what he is
saying or reporting from his limited perspective. Journalists have become
“instant historians” in this age of instant everything. The mind of the censor is
never a clear mind, capable of candid observation, because such a mind must
ferret through various forms of authoritarianism, through vertical hierarchical
arrangements, or must gingerly follow some system, guidebook, principle, or
form of belief to which it is helplessly tethered. Such a mind does not belong
to itself. It is lost to itself, impossibly entangled in the maze of its own
stultifying conditioning. Alas, it is the mind of the expert, of the pundit. It is the mind of the times.
The
conflict between the controller and the controlled is programmed into workers
and managers alike. They are actors in a drama in which they have no creative
involvement. Religious and social sanctions control, shape, direct and cement
the societal will to its purposes. Jesse Bering calls this The Belief Instinct (2011), which he finds very real, but questions
its validity. In any case, so has it been throughout history. This makes most
workers spectators to their own lives.
The
controller, whomever he may be, proclaims, “I have the answer!” The answer
invariably represents a proposed solution to a fragment of the problem, likely
a new fad, gimmick or the rhetoric that provides expedient relief, but seldom a
cessation to the aggravation.
The
proclaimed answer is tied to the past, to what is known, not to the present or
the present situation. It is old knowledge in a new suit of clothes. But
reality requires a mind fresh, clear and undivided, a naked mind. Such a mind
has no answers, nor does it worry about being offensive, stepping on toes,
causing embarrassment, being prohibitively expensive, or fomenting argument. Nor does it worry about acceptance, or going against the grain.
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